My practice focuses on exploring feminist politics through an artistic lens. Using soft sculpture and commercial mannequins, as well as painted wall pieces, I confront the societal gaze imposed on women and femme-presenting individuals.
Mannequins serve as symbols of the rigid constructs of femininity —shaped by external expectations. In contrast my hand-crafted forms represent reality and self- determination. These soft sculptures embody fluidity, vulnerability, and resilience, representing a version of womanhood that is self-made. The intricate construction of these forms reflects the difficulty and struggle of reclaiming one’s identity beyond societal expectations.
The juxtaposition of these forms challenges conventional notions of beauty and identity, opening space for reclaiming and expressing an authentic, autonomous self.
Alongside the sculptures are paintings of soft figures stretched over the walls, posed uncomfortably in editorial stances. A further attempt to emphasise the tension between performance and authenticity, and the pressure put on our bodies to contort and comply.
